‘
Martha’ provides an interesting examination of what happens when a member leaves a cult. Indoctrinated into the ways of such a group, how they function without this support base drives proceedings. Written and directed with low key intensity by Sean Durkin and acted by a fine ensemble it shows how a cult’s power can still grip long after a follower’s departure.
Fleeing from an abusive cult headed by Patrick (John Hawkes), Martha (Elizabeth Olsen) feels relief. Reunited with her sister Lucy (Sarah Paulson) and her husband Ted (Hugh Dancy) she attempts to move on with life. Her paranoia takes over when she feels she is being watched. Fearful the cult is waiting to re-claim her, she spirals out of control as her increasingly horrified family look on.Garnering much praise for its strong performances, it’s easy seeing why ‘Martha’ has earned accolades. Devoid of any melodramatic flourishes it digs deep into how someone re-acquaints themselves with society. After two years away from her previous life, Martha’s mind-set seems irretrievably linked to her recent past. Her fractured emotional state highlights the notion although she escaped a form of prison she has gone into another with her thoughts preventing her from living a normal life.
Whilst engaging overall, these elements are somewhat diluted by a screenplay lacking in crucial exposition. We never really discover how Martha came to join the cult or her actions while in its embrace. Further detail would have helped to engage further in an otherwise fascinating movie. The cast rise above such faults to give performances matching the authenticity the production is determined to convey.
Mostly intriguing, ‘Martha’ benefits from some fine acting and topical story. With anecdotal tales from ex-cult followers increasingly becoming common-place, ‘Martha’ serves as a timely warning of their lasting influence.
Rating out of 10: 7
Reviewed by: Patrick Moore
Hattam McCarthy Reeves
Chartered Accountants and Business Advisers
Comments
Post has no comments.